Tony Williams

E.S.P.

Miles Davis · 1965

Miles Smiles

Miles Davis · 1967

The Second Great Quintet of 1964–68. Each member had independent careers, but together they fundamentally reinvented how jazz treated time.

October 1967, Stockholm. One of the very few proper video documents of the Second Great Quintet. 'Agitation,' 'Footprints,' and ''Round Midnight' bleed into each other, and you can literally see how the four of them collectively own the time.

— Miles Davis Quintet — Stockholm 1967, 1967

Tony WilliamsTony Williamsトニー・ウィリアムス joined Miles DavisMiles Davisマイルス・デイヴィス's second great quintet at age 17. His elastic tempos, beat displacement, and dramatic dynamic swings fundamentally rewrote what a rhythm section could do.

— So What: The Life of Miles Davis, John Szwed, 2002

Keystone 3

Art Blakey · 1982

Wingspan

Mulgrew Miller · 1987

Mulgrew MillerMulgrew Millerマルグリュー・ミラー came up in Woody ShawWoody Shawウディ・ショウ's band, then moved to Art BlakeyArt Blakeyアート・ブレイキー's Jazz Messengers (1983–86), then to Tony WilliamsTony Williamsトニー・ウィリアムス's acoustic quintet. He carried the hard bop tradition with elegance while consistently seeking out younger musicians. He anchored many of Kenny GarrettKenny Garrettケニー・ギャレット's most important recordings.

— Blue Note Records: The Biography, Richard Cook, 2001

E.S.P.

Miles Davis · 1965

E.S.P.E.S.P.Miles Davis · 1965 (1965) was the first studio album by Miles DavisMiles Davisマイルス・デイヴィス's Second Great Quintet. Wayne ShorterWayne Shorterウェイン・ショーター emerged as music director, presenting a new compositional vocabulary on "Iris," "ESP," and others.

— So What: The Life of Miles Davis, John Szwed, 2002

Nefertiti

Miles Davis · 1968

On the title track of NefertitiNefertitiMiles Davis · 1968 (1967), the Miles DavisMiles Davisマイルス・デイヴィス/Wayne ShorterWayne Shorterウェイン・ショーター front line repeats a single melody while the rhythm section improvises around them — an inverted approach that was avant-garde for its time.

— Footprints: The Life and Work of Wayne Shorter, Michelle Mercer, 2004

Empyrean Isles

Herbie Hancock · 1964

Empyrean IslesEmpyrean IslesHerbie Hancock · 1964 (1964) was Herbie HancockHerbie Hancockハービー・ハンコック's fourth Blue Note album, made at 25. Its "Cantaloupe Island" later became the basis for US3's sampling hit, spreading the tune well beyond the jazz canon.

— Blue Note Records: The Biography, Richard Cook, 2003