Red Garland (1923–1984) — Piano. Led Groovy, All Mornin' Long, Soul Junction. Worked with Paul Chambers, John Coltrane, Philly Joe Jones.
His left hand sparkles with block chords. Bright, joyful, comfortable to listen to. What he does technically is difficult — but it never sounds that way, which is its own kind of genius. His swinging in the Miles Davis quintet is simply the most comfortable feeling in jazz.
Red Garland's albums
Cookin' with the Miles Davis Quintet
Miles Davis · 1957
In two marathon sessions in May and October 1956, MilesMiles Davisマイルス・デイヴィス recorded enough material for four Prestige albums in two days. He was about to move to Columbia — fulfilling a contract obligation — but what remained was some of the most essential jazz ever captured.
Paul ChambersPaul Chambersポール・チェンバース was called for nearly every important Blue Note session in the late 1950s. His triangle with Red GarlandRed Garlandレッド・ガーランド and Philly Joe JonesPhilly Joe Jonesフィリー・ジョー・ジョーンズ defined the hard bop rhythm section. Coltrane named one of his most famous compositions 'Mr. P.C.' after him.
In just two days (May and October 1956), Miles DavisMiles Davisマイルス・デイヴィス's quintet marathon-recorded four albums including Cookin' with the Miles Davis QuintetCookin' with the Miles Davis QuintetMiles Davis · 1957. Squeezed between his Prestige contract ending and his Columbia move, those sessions became hard bop's reference point.
Red GarlandRed Garlandレッド・ガーランド's piano was distinguished by his trademark shift from right-hand single-note lines to two-handed block chords. His solos on 'Round About Midnight'Round About MidnightMiles Davis · 1957 and MilestonesMilestonesMiles Davis · 1958 showcase that formal beauty at its best.
In spring 1958 Red GarlandRed Garlandレッド・ガーランド left Miles DavisMiles Davisマイルス・デイヴィス over disputes about pay and repertoire, and Bill EvansBill Evansビル・エヴァンス took his place. The swap proved decisive in preparing the modal sound that would soon define the band.