Singer-songwriter Yu SakaiSakai Yuさかいゆう became the first Japanese singer-songwriter to appear on NPR's Tiny Desk Concert (April 2025), performing with TBN Trio featuring Nate Smith
Nate Smithネイト・スミス (drums) and Ben Williams
Ben Williamsベン・ウィリアムズ (bass). It happened because Smith invited the NPR crew to their Shibuya show. Sakai has also recorded with John Scofield
John Scofieldジョン・スコフィールド, Terrace Martin
Terrace Martinテラス・マーティン, and Nicholas Payton
Nicholas Paytonニコラス・ペイトン across previous albums — a rare J-pop artist woven into both the LA and NYC jazz scenes.
Nicholas Payton
(1973–)
Born in New Orleans, he has mastered the traditional jazz trumpet vocabulary before incorporating electronics and hip-hop. He refuses to call his music "jazz," preferring "Black American Music." His sound is sweet and powerful — and his willingness to name things honestly is as distinctive as his playing.
Nicholas PaytonNicholas Paytonニコラス・ペイトン has advocated rebranding jazz as 'New Black Music (NBM),' arguing that the word 'jazz' has been appropriated and diminished. His provocative position sparked debate but reflects deep engagement with the African-American musical heritage underlying the music.
In 2011, Nicholas PaytonNicholas Paytonニコラス・ペイトン published On Why Jazz Isn't Cool Anymore on his blog, proposing the term Black American Music (BAM) for his work — sparking a debate over the colonial baggage of the word jazz.
In 1996 PaytonNicholas Paytonニコラス・ペイトン recorded Doc Cheatham & Nicholas Payton (Verve) with the 91-year-old veteran trumpeter; released in 1997, it won Payton the 1998 Grammy for Best Jazz Instrumental Solo for his playing on "Stardust."
Nicholas Payton said
"Jazz is beautiful music, but the name carries too much colonial history. I prefer to call it Black American Music — BAM."
From the 2011 polemical blog post "On Why Jazz Isn't Cool Anymore."