Brad Mehldau
Piano

Brad Mehldau

(1970)

Jacksonville, FL, United States·Manhattan School of Music

Brad Mehldau (b. 1970) — Piano. Led The Art of the Trio, Vol. 3, Day Is Done, Metheny Mehldau. Worked with Larry Grenadier, Joshua Redman, Jeff Ballard.

Mehldau brought rock and pop sensibilities into the jazz piano trio without diluting either. Radiohead, Beatles — whatever he covers becomes completely jazz. His right hand spins long, sinuous phrases with a distinctive rhythmic elasticity that is impossible to imitate. The definitive contemporary trio pianist.

Brad Mehldau's leader album

The Art of the Trio, Vol. 3
The Art of the Trio, Vol. 3
Brad Mehldau · 1998

The late-90s Mehldau trio inherited the conversational model of the Bill EvansBill EvansBill Evansビル・エヴァンス trio while treating rock and pop songs as raw material for improvisation. His contrapuntal right-hand lines became a signature.

Brad Mehldau's albums

Brad Mehldau's albums

MoodSwing
MoodSwing
Joshua Redman · 1994

MoodSwing (1994) captured these four in the middle of their separate ascents. MehldauBrad MehldauBrad Mehldauブラッド・メルドー, McBrideChristian McBrideChristian McBrideクリスチャン・マクブライド, and BladeBrian BladeBrian Bladeブライアン・ブレイド each went on to build defining careers of their own. In 2020 the same band reunited as RoundAgain.

Brad Mehldau's albums

Brad Mehldau's albums

Uneasy
Uneasy
Vijay Iyer · 2021
Aventurine
Aventurine
Linda May Han Oh · 2019

Born in Australia, Linda May Han OhLinda May Han OhLinda May Han Ohリンダ・メイ・ハン・オー arrived in New York through Manhattan School of Music and became a central presence in the jazz scene. AventurineAventurineAventurineLinda May Han Oh · 2019 (2019) showed her compositional voice on the bass. UneasyUneasyUneasyVijay Iyer · 2021 (2021) with Brad MehldauBrad MehldauBrad Mehldauブラッド・メルドー crystallized their shared conversational approach to music in duo form.

Linda May Han Oh, Wikipedia, 2024

Brad Mehldau's albums

On 2018's After Bach, Brad MehldauBrad MehldauBrad Mehldauブラッド・メルドー alternated Bach preludes with his own responses. He described counterpoint as a device that erases the line between composition and improvisation.

After Bach, Wikipedia, 2024