Milestones
Library — Album

Milestones

Miles Davis · 1958 · Columbia

Personnel

Miles Davis
John Coltrane

The title track was Miles' first modal experiment, and Coltrane used its open space to begin testing the cascading approach that would soon be called "sheets of sound."

Cannonball Adderley
Red Garland
Paul Chambers
Philly Joe Jones

From 1955–60, ColtraneJohn ColtraneJohn Coltraneジョン・コルトレーン played with MilesMiles DavisMiles Davisマイルス・デイヴィス while searching for his own voice. The 'sheets of sound' style emerged in this period. MilesMiles DavisMiles Davisマイルス・デイヴィス criticized him but never fired him.

John ColtraneMiles Davis

Cannonball AdderleyCannonball AdderleyCannonball Adderleyキャノンボール・アダレイ joined Miles DavisMiles DavisMiles Davisマイルス・デイヴィス's band in October 1957, forming a twin front line with Coltrane. The 1958 album MilestonesMilestonesMilestonesMiles Davis · 1958 was the first studio statement from this sextet and signaled the imminent move toward modal jazz.

Cannonball AdderleyMiles Davis

Red GarlandRed GarlandRed Garlandレッド・ガーランド's piano was distinguished by his trademark shift from right-hand single-note lines to two-handed block chords. His solos on 'Round About Midnight'Round About Midnight'Round About MidnightMiles Davis · 1957 and MilestonesMilestonesMilestonesMiles Davis · 1958 showcase that formal beauty at its best.

Red GarlandMiles Davis

Around 1958

Blues for Dracula
But Not for Me: At the Pershing
Everybody Digs Bill Evans
Moanin'
Miles Davis