Bitches Brew

Miles's 1969–70 studio experiments fused rock's rhythmic sensibility with jazz improvisation. Bitches BrewBitches BrewMiles Davis · 1970 layered McLaughlinJohn McLaughlinジョン・マクラフリン, CoreaChick Coreaチック・コリア, HancockHerbie Hancockハービー・ハンコック, and others in simultaneous collective improvisation.

Brazilian percussionist Airto MoreiraAirto Moreiraアイアート・モレイラ joined Miles DavisMiles Davisマイルス・デイヴィス's electric band in 1970 and contributed to the Bitches BrewBitches BrewMiles Davis · 1970 sessions, pioneering the incorporation of Brazilian elements into jazz. Together with his wife Flora Purim, he became a central figure in the American jazz-fusion scene.

Miles DavisMiles Davisマイルス・デイヴィス gathered over twenty musicians in August 1969 and, paired with Teo Macero's tape editing, transformed jazz from "recorded performance" to "constructed recording." Bitches BrewBitches BrewMiles Davis · 1970 launched jazz-rock fusion.

New York percussionist Don AliasDon Aliasドン・エイリアス joined the Bitches BrewBitches BrewMiles Davis · 1970 sessions and, when neither Lenny White nor Jack DeJohnette could deliver the marching-band feel Miles wanted, sat behind the kit to record 'Miles Runs the Voodoo Down'.

Recommended by Joe Zawinul, Airto MoreiraAirto Moreiraアイアート・モレイラ was called to Miles Davis's 1970 sessions surrounding Bitches BrewBitches BrewMiles Davis · 1970 and appeared with Davis's band at the Isle of Wight that year, bringing the cuica and other Brazilian percussion into the American jazz vanguard.